(Originally published June 8, 2003.)
(With apologies to Lewis Lapham.)
Years ago, as the rain poured, as the sky thundered with the wrath of a thousand gods, I waited for a taxicab. An atypical day in Los Angeles. A day of Eastern weather. The kind the Establishment snobs take pride in -- out of desperation, if nothing else.
A cab pulled up. Valley Cab, I think it was.
"Where to?", the driver asked. "Nowhere special. Just out of this rain," I kidded. But actually, I wanted to go home.
The ride took, how long? Can't remember. Couldn't be more than a half hour, 45 minutes, maybe. The conversation turned, as it often does, to Hollywood.
"Ever seen Terminator 2?" he asked.
"Yeah, great flick."
"Well, guess what? I was involved in that movie!"
"Huh," I said. "Yes, part of the special effects crew. You remember the scene where Sarah saw the nuclear blast? You know -- in her dream sequence?"
"Sure. Who could forget it?"
"I was part of that. Setting up the scene, I mean."
"Really."
"Really."
So the newest sequel is coming out, and the theme of it is, as usual, universal armageddon -- or at least, armageddon of the global variety. The rise of the machines.
And as I listen to the theme from Terminator 2, I wonder: In a thousand years, will any of this really, really matter?
Tuesday, July 19, 2005
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment